Why are Woodlands so Special For Horse Portrait Photography?
The natural ancient woodlands we see today have been shaped by human history for hundreds of years. However, today the only truly wild woodlands that remain are inaccessible pockets in steep ravines, on cliffs or on some wooded islands.
Only 1.2 % of semi-natural ancient woodland is accessible in the UK, which makes our woodlands very special places and a resource that we should take care of. Woodlands provide unique and aesthetic backdrops for horse portrait photography and depending on the seasons, they offer translucent greens, yellows, oranges and browns adding a rich splash of colour and texture to any photograph.
Over the last four years I have visited numerous woodlands looking at there unique qualities and potential for horse portraits. Of the woodland areas I use, each have their own character and some provide great hacking opportunities. if you are considering a horse portrait and would like guidance on some of the most beautiful and photogenic woodland locations in Yorkshire, drop me an email and I will send you a guide and of maps of the locations I use.
After presenting and promoting off camera flash at a few camera clubs, I was contacted to ask if I did any, one to one training, or off camera flash workshops.
Although I use flash for my horse portraits, running a workshop with a horse as the main subject would be difficult logistically, so I started thinking about what would be a little different subject wise for an off-camera workshop.
I have photographed Red Squirrels with flash numerous times, so I thought they would make an interesting subject, so I started working on a few ideas and some promotional ideas for the website.
I had met Andrea very briefly at Halifax Photographic Society whilst presenting the Lighting The Way Workshop (Off Camera Flash) but unfortunaly I was unable to get Andrea’s Canon 4000D to fire with the Godox Triggers I had, or with any other third part triggers at the club, so when Andrea contacted me about the Red Squirrel Workshop, my first thoughts were, why did the triggers not work on her Canon camera, but other people’s Canons?
I soon learned that the triggering issues with some newer Canon cameras is the discussion on various forums and I found out that Godox had released a new firmware to overcome the centre pin issues, so I was confident that the problem was sorted, but as I did not own a Canon 4000D, I would have to wait to see if Andrea got back to me to make a booking.
Andrea contacted me again about a week later and made a booking for herself and her daughter Em. As a backup plan I took my camera along, so Andrea would at least be able to learn how to use off camera flash in the event of the trigger not working with the Canon 4000D and Andrea was happy with this.
Arriving high up next to the stacked logs and wandering sheep, we left the cars and started walking down to the woods, Andrea and Em started telling me about their interest in photography and nature and that Em had won a few photography competitions. I also learned that they had never been to this location before, so it was there first time.
I helped both of them setup their cameras up into manual mode, showed them how to change the, ISO, WB and then gave them both a trigger and explained how to use them.
My original idea was to provide them each with one light which would be on different channels and ID’s and then introduce a second light as they progressed. However, it soon became apparent that they were both really enjoying photographing the squirrels and so my planned intentions, were becoming undone.
I asked if they would like me to set both lights and triggers to match each other, that way they could still take advantage of the flash, but photograph the squirrels as they moved from one stump to the other, Em was a little more trigger happy than her mum, but they shared the lighting well and as the lights were at 16th power, they were recharging very quickly anyway. From the images I saw on the back of the cameras, I think they took some good images and they learned how to turn the power of the light up and down in relation to the ambient light, so they did learn the basics.
I decided to write this reflective blog to remind myself, that learning anything should be flexible in order to make it enjoyable. On reflection did Andrea and Em learn how to use off camera flash the way I had planned? Did they enjoy the experience and learn something new?
I think the important reflective point, is they were able to photograph Red Squirrels using flash and they enjoyed it. Reflecting on learning is an important part, but sometimes we need to reflect on the all aspects not just the main core that was intended.
Red Squirrel Taken with No Flash during the Workshop
Here Are Some Red Squirrel Images Using Off Camera Flash Of My Own Taken Last Year.
Regardless of your interest or skill level of photography Adobe Photoshop has become the most well known name of software as a graphics editor.
Photoshop was developed and published by Adobe Inc. for Windows and macOS and was originally created in 1988, by Thomas and John Knoll. Since then, the software has become the industry standard for graphics editing and digital art as a whole and we often take the creative power of Photoshop for granted these days.
In celebration of Photoshop’s birthday, Adobe has released many new features in Photoshop and made improvements too. So what is worth exploring?
Enhanced Content-Aware Fill In this release of Photoshop, you can now iteratively fill multiple areas of an image without having to leave the Content-Aware Fill workspace window. After you get the desired fill result for a selection in your image, click the new Apply button in the lower-right corner to commit fill changes and keep the workspace window open. After applying the fill, use Lasso Tool or Polygonal Lasso Tool within the Content-Aware Fill workspace to make another selection to fill.
Improved Lens Blur Quality The new Lens Blur alogorithm now uses your computer’s graphics card (GPU) to generate blurrier edges on objects that are in front of the focal plane, a more realistic bokeh look, correct color handling for CMYK and LAB color modes, and more colorful specular highlights in your photos.
Enhanced Transform Warp With more control in the Warp tool, you can add control points anywhere or divide your image with a customizable grid. Then transform by individual nodes or a larger selection.
Object Selection tool Create fast and precise selections by drawing a simple rectangle or lasso around an object. Then let Adobe Sensei do the rest.
Performance Improvements Photoshop’s user interface is now more responsive to your mouse and stylus movements. You’ll notice smoother panning and zooming in your documents. With increased responsiveness to your inputs, you’ll also notice improvements in many other UI interactions, especially where painting or dragging actions are involved.